My artistic practice investigates the dynamics of power and control in relation to movement, the occupation of space, and the structures that shape our perception of the world. This line of work stems from a prior training in law, from which I am interested in analyzing how notions of authority are constructed and legitimized.

 

One of the axes of my work is the construction of space and its fragmentation through physical or symbolic boundaries. I am drawn in by how walls and borders, even in virtual environments, delimit the infinite and reflect the human need for territorial appropriation. This reflection is articulated with questions about the political, social, and economic structures that normalize the possession of others' space.

 

In parallel, my research incorporates elements of quantum physics as theoretical frameworks to represent the complexity of the perceptual world. The use of strings, pulleys, tensions, and architectural geometries allows me to address concepts such as gravity, light, and the existence of multiple dimensions. These material tools embody invisible, yet determining, forces that shape our experience of the physical and social world.

 

The color Prussian blue appears recurrently in my work as a symbol of power, but also of emptiness: an intangible space that connects the visible with the hidden. In contrast, the white of the threads represents light, containment, and the possibility of direction within chaos. Both chromatic ranges function as visual devices to explore the tension between stability and instability, certainty and uncertainty.

 

My practice is situated in a territory where structured judgments and dogmas are destabilized, making way for questions about the unknown, loneliness, and death. In an increasingly uncertain world, I am interested in observing how the structures we create function as symbolic strategies to contain the vertigo of existence.